Ross A 2007 The Rest Is Noise Listening To The Twentieth Century Farrar Straus And Giroux
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About this topic
The exploration of 20th-century music, particularly through the lens of cultural and historical contexts, provides a rich tapestry for understanding how sound has evolved over the decades. This period saw a dramatic shift in musical styles, genres, and the role of music in society, influenced by technological advancements and social movements. The works focusing on this era often delve into the lives of composers, the emergence of new musical forms, and the impact of major historical events on artistic expression. Readers interested in musicology, cultural history, and the interplay between music and society will find valuable insights in this genre.
Key Topics to Explore
- Cultural Impact of Music
- Evolution of Musical Styles
- Major Composers and Influencers
- Historical Contexts of Music
- Technological Advancements in Music
What You Will Find
Books on 20th-century music typically encompass a variety of styles, from classical to jazz, rock, and electronic music. Readers can expect a mix of analytical texts, biographies, and cultural critiques that highlight the interplay between music and broader societal themes. These works often appeal to both casual listeners and serious music scholars, providing accessible yet in-depth explorations of the music that shaped modern culture.
Common Questions
What is the significance of 20th-century music?
20th-century music is significant for its innovative styles and the way it reflects and responds to the social and political changes of the time.
How did historical events influence music in the 20th century?
Historical events such as wars, civil rights movements, and technological advancements greatly influenced musical expression, leading to new genres and forms of artistic collaboration.
What types of music are explored in this genre?
This genre explores a wide range of music, including classical, jazz, rock, pop, and avant-garde, highlighting the diversity and richness of 20th-century sound.
The Rest Is Noise
Author: Alex Ross
language: en
Publisher: Farrar, Straus and Giroux
Release Date: 2007-10-16
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
The Sound of Hope
Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese internment camps in the Pacific. The oppressed stubbornly clung to music, wherever and however they could, to preserve their culture, to uplift the human spirit and to triumph over oppression, even amid incredible tragedy and suffering. This volume draws together the musical connections and individual stories from this tragic time through scholarly literature, diaries, letters, memoirs, compositions, and art pieces. Collectively, they bear witness to the power of music and offer a reminder to humanity of the imperative each faces to not only remember, but to prevent another such cataclysm.
Towards a Twenty-first-century Feminist Politics of Music
Author: Sally Macarthur
language: en
Publisher: Ashgate Publishing, Ltd.
Release Date: 2010
Towards a Twenty-First Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. This book sets out to develop a new conception of subjectivity that sows the seeds of a twenty-first century affirmative, feminist politics of music.