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Disgust

Disgust

by Winfried Menninghaus

Philosophy / Aesthetics Literary Criticism / European / General Literary Criticism / Semiotics & Theory ✓ Preview Available ⚠ Free PDF: Unavailable
Publisher: SUNY Press Year: 2003 Pages: 480 Language: EN
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About this book

Examines this forceful emotion from philosophical, literary, and art historical perspectives."Disgust satiates." — Kant"Writers only talk stench." — Kafka"Disgust is the very fundament of social communication." — BatailleDisgust (Ekel, dégoût) is a state of high alert. It acutely says "no" to a variety of phenomena that seemingly threaten the integrity of the self, if not its very existence. A counterpart to the feelings of appetite, desire, and love, it allows at the same time for an acting out of hidden impulses and libidinal drives.In Disgust...

30-Second Summary

In 'Disgust', Winfried Menninghaus explores the complex emotion of disgust through various lenses, including philosophy, literature, and art history. By examining how disgust functions as both a protective mechanism and a social signal, the book reveals its critical role in shaping human interactions and cultural expressions. Menninghaus draws on diverse thinkers to illustrate how this powerful emotion contrasts with more positive feelings, providing a nuanced understanding of its implications in society.

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Who Should Read This Book

This book is ideal for readers interested in the intersections of emotion, philosophy, and cultural studies. Scholars and students in fields such as aesthetics, literary criticism, and psychology will find valuable insights. Additionally, anyone curious about the role of negative emotions in human experience will benefit from Menninghaus's thorough analysis.

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Frequently Asked Questions
What is the main focus of 'Disgust'?
'Disgust' primarily focuses on the emotion of disgust, exploring its philosophical, literary, and artistic dimensions.
Who is Winfried Menninghaus?
Winfried Menninghaus is a scholar known for his work in philosophy, aesthetics, and literary theory, particularly concerning emotions and their cultural implications.
Is 'Disgust' suitable for casual readers?
While it offers deep insights, 'Disgust' may be more suited for those with a keen interest in philosophical and theoretical discussions.
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